The compression works great on guitars, bass, drums, and more. It’s got a semi-realistic to realistic look, with easy-to-use controls. We’re a big fan of its user interface, which mimics classic outboard gear. It includes features like negative (over) compression, parallel (New York style) compression, options to compress left and right channels independently (dual mono), peak and RMS compression (relaxed), and a high pass filter to reduce bass overload (deep). True to form, you can achieve everything from smooth, gentle leveling, to full on crunch, punch, and pump. These are the shape shifters that will help you create different compression results. We can see, though, that the DC1A features controls for out, GR, input, output, deep, relaxed, dual mono, and negative. Which is perhaps giving too much attention to one thing. Turn a dial, and you will immediately notice a difference, which to me is always the mark of a finely tuned dial. The DC1A, though, despite its simplistic controls and appearance, is reasonably versatile, and great sounding. Klanghelm’s DC1A is the little brother of their more fully featured and advanced compressor, DC8C.
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